Key Interior Design Trends for 2016

Last week one of the biggest homeware and craft trade shows in the UK, Top Drawer, was on at London’s Olympia and we were there to uncover some exciting new designers and spot key trends for the coming year.

It was a great place to get a feel for what’s hot right now and what trends are emerging for Spring/Summer 2016. Here is our round-up of the designers and trends that caught our eye!

Trend 1 : Woodland Hues

With rich yet muted shades, the work of a two young designers, whose collections have taken inspiration from British woodland landscapes, capture the feeling of reflecting and magnifying nature within our interiors, which, when done carefully through the use of colour and subtle texture, feels like an exciting new direction for Spring 2016.

These cushions from Emma June Designs form part of her ‘Woodland’ collection. Made from silk velvet and an eco-conscious sustainable linen, the rich muted colours hand-dyed on soft luxurious velvet are so inviting and would bring real warmth to a room.

Using a very similar palette of colours, Rae Anne, an emerging textile designer from the Scottish Highlands, was exhibiting as part of Emergents Makers. With names like ‘Woodland’ ‘Forest’ and ‘Shaded Leaf’ describing each of the prints, Rae Anne’s designs are almost hyper-real incarnations of woodland forms and colours. The combination of the three rich colours together is especially striking as are the modern graphical prints that hint at the organic forms they are named after.

These collections tie-in to the the wider trend for muted colour-palettes that appeared throughout the show but it’s these particularly British (read ‘rain-soaked’) colours of forest leaves, stormy skies and wild-flowers creeping through the undergrowth, that feel so right for the coming season.

Trend 2: Materials + Process

With the rise in popularity of handmade and traditionally crafted homeware, we are seeing an ever-greater focus on the materials used and how they are affected by the processes used to make them. We are also seeing a desire by makers to honour those materials and celebrate them for what they are.

It was great to have the chance to see the Granby Workshop range of products from the Turner Prize-winning Assemble. Each design is manufactured using different materials and processes; and one of the things that is most interesting about the collection is this re-imagining of process and material to marry the practical and functional with the beautiful. The marriage is so successful; these pieces really do stand-out-from-the-crowd and feel truly new and completely covetable!

Another highlight was Sevak Zargarian‘s ceramic pieces, where the process is also an integral element of the design. On seeing the pieces, you cannot help but ask ‘ How are they made?’ Answer: The coloured ‘chips’ are made and fired first, then added into moulds which are then filled before the final piece is fired, then finally each piece is sanded to give a smooth, tactile finish . There’s a real beauty and modernity in Zargarian’s choice of pared-back colour palette and simple functional forms.

Nikki Kreis of Kreis Designs handcrafts beautifully functional items from plywood and each piece really highlights the special qualities of the material. Her range of coloured peg boards are particularly striking and add an extra element to the flawlessly executed designs.

Smink Things produce a range of tiles and wallpaper that utilise the process of mark-making and celebrate it in each design. The beauty of the pieces lie in their ‘imperfection’ and in the quality of materials used to produce each finished item. The patterns that are not quite patterns and the subtle colour combinations combine to create a collection that really stands-out for its quiet beauty.

Each of Olivia Mcgill’s hand-thrown pieces have an understated feeling of luxury. The cups, bowls, plates and vases each have a fantastic weight to them and they are robust enough for every day use.  The simplicity and elegance of the surface designs and the slightly imperfect shapes of each piece, only add to the charm of the collection.

Trend 3: Bold Colour Combinations

Some of our favourite pieces at the show stood out for their confident use of striking colour combinations. When it comes to colour this year, you really can throw out the rule book and let loose!

Susi Bellamy  (above) describes her cushions as ‘Art for the Sofa’ and we would certainly agree. With rich, bold colour and painterly prints which are transferred to the silky fabric using a process that harnesses the richness and textural quality of the painting, they are the perfect thing for injecting some colour into your living room.

Hannah Rampley’s new collection of printed products use a striking palette of colours across the range. We would suggest mixing and matching her prints, which use a cohesive mix of colours without be too ‘match-matchy’. Although the colours are bold, the illustrations themselves have a great sense of delicacy which provides a great balance to the strong colour.

Trend 4: Geometrics 2.0

Two designers stood out for their grown-up geometrics, taking this ongoing trend to new levels, with their application of shape and their methods of production setting their work apart.

Tom Pigeon (above) produce a range of very high-quality illustrative work, including prints that, through their edited colour palette and compositional style, really do feel like an ultra-modern take on ‘The Geometric Print’. The quality of the prints themselves is also fantastic and they would be a great addition to any modern interior scheme.

Artist Damien Borowik’s Drawing Machine collection uses a machine, programmed by Damien, to actually execute the drawing. The result is very interesting. With each geometric shape comprised of hundreds if not thousands of very fine lines, each piece has a depth to it that really captures your attention.

All in all, Top Drawer was a great place to meet some exceptional designers and makers and get a heads-up on what to look out for in 2016.

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How to Use Pantone’s Colours of 2016 in your home (without it looking like an explosion in a sweet shop…)

We admire Pantone’s indecision; we hate having to pick just one favourite colour too…

Instead of their usual ‘Colour of the Year’, for 2016, Pantone have selected two colours to represent the moment. The reasons given for the selection of Rose Quartz and Serenity, are that they, used together, ‘demonstrate an inherent balance… and…soothing sense of order and peace’, which is an antidote to our ‘turbulent times’, and also that their use together points to ‘movements toward gender equality and fluidity, the consumer’s increased comfort with using color as a form of expression, a generation that has less concern about being typecast or judged.’

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Well we certainly can’t argue with the sentiment, but more than this, we rather like the two colours in question and want to see how we can jump on the bandwagon and use them to add some colour to our homes!

The problem with this particular colour combination is, get it wrong and you quickly veer into sugar-coated little-girls-bedroom territory. Rightly or wrongly, we associate baby blue and pink with, well, babies, so it’s difficult to see how we are supposed to use these colours in a grown-up, or dare I say it, even stylish, way.

Well…despite all the connotations, used in the right way, it is possible to add these two candy hues to your home without looking like you’ve over-dosed on Pick’n’Mix …

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Of course, palest pink has been a design story for some time now, with pink paint back in vogue and certainly one way to go is to choose a colour such as Farrow and Ball’s Calamine for the walls and style with suitably cool Scandinavian-like furnishings, adding some splashes of pale blue here and there.


Indeed, the combination of pale colours is certainly evocative of Scandinavian design, with Ferm Living (above) and Bloomingville already using pastels in their accessories. We also love the recently launched collection from Toast Living and Milk Design featuring pale blue and pink coffee that bring a laid-back vibe to the pairing and removes a lot of the sweetness in the process (below).

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Just as the two colours themselves have been representative of different genders, successful integration into your interior scheme can be achieved in using materials and styles that denote a ‘difference’ from the candy tones. The juxtaposition of these baby-like colours with neutral-coloured, hard-edged materials works particularly well. The colours are toughened up and given a cool twist when set against pale wood, concrete, and the clean lines of mid-century modern Scandi-style design. In terms of pattern, the current on-going trend for geometrics and strong, clean lines is the perfect foil to balance the inherent softness of the two shades.

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Vodo Masco’s children’s furniture’s hard plastic and striking form puts a spin on the use of baby pink

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‘Visu’ chair from Muuto uses blonde wood to modernise the soft pink.

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Pastel colours are offset by the clean lines and natural materials used elsewhere in the scheme.

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You could, of course, choose to embrace the pairing even more fully and rather than trying to tone down the sugar, opt for this beautiful and wholly optimistic cushion from Heals.

Now that Pantone has made their announcement, we can expect a rash of Rose Quartz and Serenity coloured homeware to appear in time for next Spring.

Right now, we’re loving the way Rose Quartz can add warmth to a winter’s day as the light gets ever-scarcer in the run-up to Christmas. And that is what the pairing of the two together can do – marry the cool wintery blue with a warmer, more hopeful tone. As we all know it’s the way that different colours work together that can provide the real interest in design and so we hope Pantone will continue the trend and pick two colours for us to get excited about next year as well!

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